The traditional way to bring these missing sounds back into your film is to either record it yourself (after the fact) or comb through an existing sound library to find the sound you need, and ultimately adding them back into the final cut of your film. The latter can be a very time consuming process (depending on your project). If these sounds are missing in your film (where relevant), it will end up feeling quite empty.
Sound is extremely important when it comes to making films, even for instructional TV shows like cooking channels. The one sound that often gets overlooked is Foley. These are sounds that are not dialogue-based – they are the everyday sounds around us think doors slamming, footsteps, a switch being turned off, or bacon sizzling in a pan.
Since its release, we have been blown away by the amount of awesome content people have created about the Wireless GO, but one video that caught our eye was a particularly awesome one by TL DR Filmmaker, aka Jason Wang.Ī seasoned filmmaker in his own right, Jason showed off a bunch of ingenious ways he'd been using the Wireless GO. We love seeing people use our mics in interesting and creative ways, so we reached out to Jason and asked him to tell us more about unique ways Wireless GO can be used for capturing audio. Enjoy!
